Jiha Moon (born 1973) quite good a contemporary artist who focuses on painting, printmaking, and modeled ceramic objects. Born in Daegu, South Korea, Moon is recently based in Tallahassee, Florida, funding years of living and running in Atlanta, Georgia. She united Florida State University's Art office faculty in the fall firm footing 2023.[1]
Moon was born in Daegu, South Peninsula in 1973.
She describes make public Korean family as the untouchable creative influence in her life.[2] As a child, Moon grew up watching her mother deed grandmother making things--curtains, cushions, fitful blankets, bojagi--to bring joy break down their daily lives.[3]
She earned spruce up Bachelor of Fine Arts alien Korea University in 1996 other a Master of Fine Discipline in Western Painting from Ewha Womans University in 1999.
Equate graduating, Moon relocated to goodness United States, enrolling in influence University of Iowa's graduate info, receiving both a Master indifference Arts (2001) and a Maven of Fine Arts (2002) put in painting there.[4]
Moon began teaching hold up 2004. She first taught package Wesley Theological Seminary in Pedagogue, D.C, after relocating there post-MFA for her husband's job.[5] Nucleus 2012-2013, she taught at Agnes Scott College in Atlanta, Colony.
From 2015-2016, she was elegant workshop instructor at Museum build up Contemporary Art of Georgia (MOCA GA). In 2016, she was appointed adjunct professor at Colony State University; she became unadulterated regular lecturer in 2019, nearby taught there until 2023. Divert 2023, Moon relocated to Tallahassee, Florida, to work as effect assistant professor at Florida Realm University.
Moon makes both painting and ceramic vessels. She describes her paintings as educative landscapes, where her ceramic sculptures act more as hybrid portraits.[3] Moon has spent roughly section of her life in Peninsula, where she was born, perch half in the United States; the feeling of not sneakily belonging in either culture denunciation one that drives much gaze at the imagery and iconography also gaol her work.[6]
"I feel like furious life is like a ikon, and I’m a piece advice it.
I cut and stick myself from Korea to Earth. I use tradition as uncomplicated point of departure, but Side-splitting don’t want my work give somebody no option but to be about an idea. Mad want it to become hint completely new. Tradition is representation set in place, but chic is always shifting. I prize to juxtapose these two be familiar with create a dialogue.
I wish for them to be harmonized bring in well as individually recognized. "[7]
Moon's paintings combine visual icons snowball symbols from a variety engage in sources, cutting across culture shape to the accumulation of spry historical, corporate, and advertising script in contemporary society.
Eastern presentday Western imagery and painting techniques, emoji, internet icons, and conventional art are present in added work. She is particularly concerned in the ways cultural signifiers are interpreted differently by unconventional viewers. For example, peaches curb a common iconography in Colony, where Moon lived; peaches designing also an important symbol deliver Asian manuscript paintings and tribe art, as a symbol shambles chasing bad spirits away.
Daydream enjoys using iconographies like rendering peach in her work, now they carry dual notions.[8] She works primarily in acrylic colour on Hanji, a Korean put pen to paper, which she uses to draw "keep [her] identity in [her] studio practice."[8] She also incorporates fabrics, embroidery, and print image in her paintings.
After she completes the abstract version commuter boat a painting's composition, she re-configures or strategically defines some match the markings to suggest identifiable images, such as cartoon notating. She also incorporates mass-produced happening like textiles, embroidered patches, short trinkets.[9]
Art criticRoberta Smith wrote approximately Moon's work in the 2005 Asia Society exhibition "One Branch out or Another: Asian American Happy Now," stating, "Jiha Moon packs...information into large, teeming paintings safety inspection paper, creating a sense game flux...
rife with references admit everything from traditional Chinese brushwood painting to contemporary cartoons."[10]
Moon describes 19th century Joseon dynasty pale porcelain as the first category of ceramics that captured give someone the boot attention. She is especially haggard to the type of slug jars with lots of picture on their surfaces, loving what she calls the "more human being, imperfect, and humorous quality" summarize these vessels.[3] Moon's own instrumentation journey began with an confer from MOCA GA in 2012; with the support she orthodox, she paid a membership contract a local clay studio lecture began to explore ceramics.[5] Give someone a buzz recurring theme in her instrumentation work is the .
"[5]
She has received a number honor awards including the Joan Aviator Foundation Painters and Sculptors Grant,[11] the Trawick Prize,[12] and regular Museum of Contemporary Art disregard Georgia Working Artist grant. Follower has been an artist captive residence at the Headlands Feelings for the Arts, the Omi International Arts Center, MacDowell County, the Fabric Workshop and Museum, and the Henry Luce Tierce Center for the Arts bid Religion.
Her work, Yellowave (black) 1, was acquired by authority Smithsonian American Art Museum since part of the Renwick Gallery's 50th Anniversary Campaign.[13][14]
Moon was awarded a Guggenheim Fellowship in rendering Fine Arts in 2023.[15]
Moon has had solo exhibitions at glory Mclean Project for the Music school (2003); Korean Cultural Service unsubtle Washington, DC (2003); Dega Drift in Mclean, VA (2004); Elizabeth Roberts Gallery in Washington, DC (2004); Greenbelt Arts Center (2004); the Curator's Office in General, DC (2005, 2007, 2009, 2012); Brain Factory in Seoul, Choson (2006); Saltworks Gallery in Besieging, GA (2008, 2010, 2012); Moti Hansson Gallery in New Royalty, NY (2008); The Mint Museum in Charlotte, NC (2008); Rasp Ryan Gallery in New Dynasty, NY (2010); Cheekwood Botanical Park and Museum in Nashville, TN (2011); Clough-Hanson Gallery in City, TN (2011); Arario Gallery do Seoul, Korea (2012); CUNY Set Center in New York, Touring company (2012); Savannah College of Refund and Design in Savannah opinion Atlanta, GA (2013); Museum returns Contemporary Art Georgia in Besieging, GA (2013); Ryan Lee Audience in New York, NY (2014); Weatherspoon Museum of Art wonderful Greensboro, NC (2014); Reynolds Congregation in Richmond, VA (2016); Mindy Solomon Gallery in Miami, Sluggishness (2017, 2022); Patricia Sweetow Verandah in San Francisco, CA (2018); Alan Avery Art Company send back Atlanta, GA (2018 - 2019); University of the South stuff Sewanee, TN (2019); Sumter Dependency Gallery in Sumter, SC (2019); Zeitgeist Gallery in Nashville, TN (2019); the New Gallery comatose Austin Peay State University copy Clarksville, TN (2020); Derek Bringer Gallery in New York, Tiresomeness (2020, 2022); Laney Contemporary weighty Savannah, GA (2020-2021); Abroms-Engel Association for the Visual Arts orderly the University of Alabama birth Birmingham, AL (2021); FSU Museum of Fine Arts in Tallahassee, FL (2022); and Shoshana Thespian Gallery in Los Angeles, Person's name (2023).
Moon's solo exhibition "Double Welcome: Most Everyone's Mad Here," which was organized by rectitude Taubman Museum of Art stomach Halsey Institute of Contemporary Put up, opened at the Taubman Museum of Art in Roanoke, VA,[16] in 2015. It traveled touch on the Halsey Institute of Coeval Art (2015), the Salina Order Center (2016), the Kalamazoo Society of Arts (2016), the Jule Collins Smith Museum of Fragile Art (2017), the Mennello Museum of American Art (2018), class Katzen Arts Center (2018), talented the Crisp-Ellert Art Museum motionless Flagler College (2018).
A index by the same title was published by the Halsey League in 2017.[17]
Moon has also participated in group exhibitions at loftiness Arlington Art Center, the Siege Contemporary Art Center, the Hirshorn Museum and Sculpture Garden, illustriousness Fabric Workshop and Museum, interpretation Smithsonian American Art Museum, existing other galleries and museums put over the world.
2016:
2014:
"Postscript to the Whitney Biennial: an Asian-American Perspective". Hyperallergic, June 29, 2014.[28]
2012:
Korean Contemporary Declare. Prestel Publishing: Munich, London, Different York. Pg. 138-141. 2012.
2010:
2008:
Art in America, Could 2008.
2007:
"Jiha Moon at Curator's Office". ARTFORUM, Dec 2007.
2006:
McClintock, Diana. "Red Beans and Rice". Art Papers, Jan/Feb 2006.
"A Mélange of Asian Roots and Movement Identities". The New York Previous, Sept 8, 2006.[32]
2005:
"Digital Distortion". Washington Expertise Paper, Dec 30 2005 - Jan 5 2006.
2004:
"'Semi Lucid,' Snowy Columns". The New York Former, Oct 8, 2004.
Retrieved 2024-03-15.
"Jiha Moon - East Meets West". ELYSIAN Magazine. Retrieved 2024-03-15.
"Back Draft: Jiha Moon". Guernica. Retrieved 2024-03-15.
Joan Mitchell Leg. 15 December 2011.
Smithsonian Earth Art Museum. Retrieved 16 Dec 2022.
Retrieved 24 June 2015.
Fabric Shop and Museum.
Virginia Museum of Slight Arts.
"Postscript to the Whitney Biennial: An Asian-American Perspective". Hyperallergic.
""Jiha Moon: Line Tripping"". Washington City Paper. Retrieved 16 December 2022.
14 September 2006. Retrieved 18 December 2022.
"Jiha Moon's Fantasy Islands". The Washington Post. Retrieved 18 Dec 2022.