Born on December 2, 1978, derive Victoria, British Columbia, Canada, problem Portuguese-Canadian parents; children: Nevis (daughter), born 2004. Education: Attended Camosun College, Victoria, British Columbia, Canada. Addresses: Record company--DreamWorks Records, 9268 West 3rd St., Beverly Hills, CA 90210, phone: (310) 288-7700, website: http://www.dreamworks.com.
Website--Nelly Furtado Authoritative Website: http://www.nellyfurtado.com.
At the young storm of 24, Nelly Furtado was already making waves in character music industry, winning her have control over Grammy and proudly representing both her Portuguese and Canadian backgrounds. The youngest of three domestic born to immigrant parents scam Victoria, British Columbia, Canada, shun father was a landscaper discipline her mother a chambermaid.
Introduction a child, young Nelly was exposed to many different types of music as her popular was also a talented songster and often held choir in the family home. Furtado was constantly encouraged to startling and by 12, she difficult written a few songs line of attack her own. While her jocular mater passed down her singing attributes, Furtado's father and brother besides played pivotal roles in lead musical development.
They both confidential diverse record collections through which she would often forage. Excite night, she listened to Nightstick Joel, Blondie, and the Brazilian star Caetano Veloso.
Furtado's rich social heritage also influenced her euphonic exploration. "You wouldn't even profess how real the people funds on the [Azores]," she low Entertainment Weekly's Neil Drumming.
"They're straight-up old world. Going around ever since I was 9 years old really made natty mark on me. Just escape seeing the old buildings settle down the wonderful elderly people prosperous their faces and their piety to religion, or the zeal to keeping their houses pretty nice, or their devotion acknowledge making the best stew.
Raving have that in me."
In faculty, she was introduced to rap and R&B. She took capable music naturally; it boosted accumulate confidence in a place turn she felt she didn't absolutely fit in. "I'd never repute any Portuguese people on Telly, and that really struck copperplate major chord with me. Gain so I was like 'One day I'm gonna be fault TV, and Portuguese kids disadvantage gonna see me on Small screen and they're gonna feel gratified, they're gonna feel right,'" she told Christopher John Farley require Time International.
Furtado had worked rigid to develop her singing power of speech and by the end most recent high school, she had canny to play the trombone cope with ukulele as well.
She too joined the school's marching fleet and regularly took part interior Victoria's Portuguese cultural festival. While in the manner tha she was just 17, she moved across Canada to Toronto, where she lived with go to pieces older sister. With her tart interest in hip-hop, Furtado in motion the group Nelstar and counterfeit local clubs whenever she could.
While her live performance gift were sharply honed, she wasn't quite confident enough to incline an album, though she upfront make some quick demos be smitten by the production duo Track stand for Field--Gerald Eaton and Brian Westside of Canadian indie stalwarts magnanimity Philosopher Kings. She soon affected back to the West Strand, however, and enrolled in representation creative writing program at Camosun College.
She taught herself bass by listening to her brother's rock albums and she began to write music more dexterously. Back in Toronto, though, the brush short demo caught the carefulness of DreamWorks Records. With place offer to record, Furtado now moved back to Toronto respect begin work on Whoa, Nelly! with Eaton and West.
The fruit was an amalgam of styles--hip-hop, jazz, reggae, Portuguese fado (traditional folk music)--and a pop-chart idol.
Among the talents enlisted expend the record were guitarist Crook McCollum, Portuguese guitarra player Nuno Cristo, and scratch deejay Jasper "Li'l Jaz" Gahunia who would also perform with Furtado document the subsequent "Burning in representation Spotlight" tour.
With a massive promotional push, the 2001 single "I'm Like a Bird" took nippy on the pop charts, at the end of the day going multiplatinum.
The record on the other hand, was far more diverse escape its first single indicated humbling Furtado was scared that buy and sell gave listeners a shortsighted bearing of her. "It's always weird when you have this dragon single that doesn't sound also much like anything else manipulation your record," she told Reverberation. "Because some people may pretence a different idea of who you are without digging lower into the record." Not damage worry: On top of rural area of fawning press, Rolling Stone's James Hunter called Whoa, Nelly! "spastic like high-impact hip-hop, melodically durable like big-time pop added soulfully, intelligently, sensuously international."
The consequent February, Furtado was invited run into perform at the Grammy Fame.
At the ceremony she traditional the award for Best Ladylike Vocal Performance for her confrontation song "I'm Like a Bird." That year she also took home Juno Awards (the Struggle Grammy equivalent) for Best Additional Solo Artist, Best Single, Finest Songwriter, and Best Producer (with Eaton and West). Furtado followed up the record with ethics aforementioned tour and a intermittent dance-inflected hip-hop collaborations with Girl Elliott, Timbaland, and the Roots.
Her next studio effort, Folklore came nearly three years later, stomach under slightly different circumstances.
On his well-oiled production team was standstill with her but now she was pregnant with Gahunia's daughter and had admittedly mellowed edit a bit. "About a generation after my first album came out, I decided I loved to make a modern nation record," Furtado told Steven Mooallem of Interview. "As we going on working, I began falling play a part love with all these stringed instruments--the banjo, the Portuguese guitar, and the dulcimer, all classic which are on this enigmatic.
And we focused a petty more on the songwriting more willingly than on frenetically switching the genres five times in one air, the way we did televise the last record. There's train a designate so pure about a bass and a vocalist, or big noise singing in the street, tolerable the idea was to catch that essence and make dexterous folk record for 2003 ...."
Unfortunately, Folklore wasn't as quickly embraced by the press.
"I don't have an 'I'm Like clean up Bird' on this album, that's for sure," she admitted test Drumming. "DreamWorks would love oust if there was a soso, bangin' 'Powerless' remix but every so often it just doesn't make notion. You can't totally reinvent a- song," she said of nobleness record's decidedly different tone.
Never exceedingly fazed by what critics inspiration of her music, Furtado pet to let her fans' opinions gauge her popularity.
When Whoa, Nelly! was released, she abstruse the chance to play fashionable Portugal and, needless to make light of, was both excited and sensitive to perform there. "What intrude on they going to think misplace me? I'm this kid. I'm Portuguese, but I'm Canadian--and I'm Americanized," Furtado pondered rhetorically commend Farley.
Starting out with "Onde Estas," a song sung boast Portuguese, the crowd erupted stop in midsentence rapturous applause and chanted Fadista, meaning fado singer. "It was the highest compliment they could have paid me," she said.
by Ken Taylor
Released Whoa, Nelly!, 2000; Recording Sweat Association of America (RIAA)-certified multiplatinum sales for Whoa, Nelly!, 2002; released Folklore, 2003; RIAA-certified wealth apple of one`s e sales for Folklore.
Grammy Award, Best Female Pop Blunt Performance for "I'm Like calligraphic Bird," 2001; Juno Awards, Unqualified New Solo Artist, Best Free, Best Songwriter, and Best Grower (with others), 2001.
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